UPP : Police, pacification and images

Pretty much every month, the police invades and takes over another favela. Gun fights, bullet wounds and dead people. After the fight, the police calls a victory, claims to have gotten rid of the drug gang and decides to stay in the community. In Rio de Janeiro, they call it "pacification". And the next day, in Oglobo, one of the most important newspaper in the country, you can read all about that amazing police operation that set free so many people from the drug gang. They start explaining how wonderful it is to have another armed force, the police, run the community and how thankful for that everyone is. Could be true. The only thing is that I never heard anyone in Rocinha looking forward to that "peace" the police is supposed to bring in. But that's not today's post subject.

After reading a few articles about the UPPs as they are presented by the brazilian press, you can't help but notice the photos illustrating the headlines. See above. There's pretty much always one representing kids and guns half their size. And it always hurts me. It hurts me when they're a bit melodramatic with  a sad-faced kid looking at the camera. It hurts me if they show smiling kids playing next to machine guns. It hurts me those kids are growing up surrounded by guns, no matter what.

It hurts me someone could think peace looks like that.

Images via http://oglobo.globo.com/

Photos from various editions: March 23 2010, April 30 2010 and May 1st 2010 

interchange Rocinha/ Brazil - Sendai/ Japan (visual da Rocinha)

The I2I cinema class always had great success among the kids. And when we got the opportunity of an exchange with a japanese NGO, the cinema class found itself a new project to work on. A project to be shared and seen on the other side of the world... The kids were obviously really excited and the project took off quite easily: 
The five english classes would pick up what they would like to show about Rocinha and present it in english:  The sunday market, Sao Conrado beach, Visual, the samba school Academicos da Rocinha and Tio Lino's art studio were chosen. 
The photo class would walk around Rocinha and take pictures of said selected subjects.
The cinema class would make a film out of the pictures and insert the english comments. 


All the classes got to work on the same project at the same time, which makes it such a special work for everyone. You can watch the Visual (aka the top of the hill) video at the top of that post, with comments from my english class, and check out the other videos here.


A few months later, american volunteer Drew brought even more cinema to Rocinha and the institut. The cinema class had already been going on for a while but Drew brought it to a whole new dimension, bringing digitals cameras and network exposure to Rocinha (he presented his work with the kids on CNN). 
Watch Aline and Ana Luiza presenting you their favorite place in Rocinha: the beauty salon...

Cinema seems to be an amazing vector of opportunity for I2I as former cinema teacher Ana Paula is now going to take 3 of our students to Italy in july in order for them to assist to a film festival she's currently working for. 

i2i Break - Guerreir@s do Ritmo

Check out the amazing work of our break dance teacher, Marina, aka Nurse Boogie, with the kids from I2I. The group is called Guerreiros do Ritmo and they had the amazing opportunity to show their moves in a few Hip Hop context all over Rio and check out professionals battles. It's a whole new culture, a whole new universe they got to discover through a dance class.

The video was recorded in Rocinha, on a very bright orange colored football field.

Drew, american volunteer in charge of a cinema project, did the filming and editing.

Music by K-Os - B-boy Stance

28 Millimetres - Mulheres Da Providencia

Last year was the Ano da França no Brasil and it was a great excuse to discover new, yet unknown in Brazil, artists.

French artist JR's exhibition 28 millimetros at the Centro Cultural Banco do Brasil was the one that fascinated me the most. Because it was beautiful. Because it was looking at the favela straight through JR's eyes. And because what he saw and decided to show us was the "Comunidade", the community, that particularity that makes a favela way more than just a slum.

He choose to work in Rio's oldest favela, Providencia, and used the walls of the favela to show giant portraits of women from the community. The result is an amazing visual, giant eyes and smiles looking at you as you drive by the favela.

He didn't stop there and used the whole favela as an exhibition hall, putting up pictures of kids and residents all over the wall, pictures that do not just show but illustrate the life of the community. As if you were looking at memories, moments that already happened there....

JR's work wasn't just about taking pictures. He met the residents, talk to them, discovered their way of life and its difficulties. He got a glimpse of Rio's government amazing politic when it comes to the favelas: Putting up a renovating project that, in fact, will only concern the few houses you can see from the street, leaving the poorest families live in made-out-of-wood houses. JR recounts in the 28 millimetros book how he met one of those families, whose house at the top of the hill was built in the 60's.... After talking to the community, JR's crue offered to rebuild the house in rough-stone.
I visited the original house, used for a video installation for the exhibit. You wouldn't imagine what it's like. And I definitely cannot imagine a family of 9 nine living in there.

JR's wonderful work moved me and showed the favela as I know and love it. No guns, no drugs... just smiles, kids playing and people laughing. Amazing how, one more time, it takes a foreigner to show the true heart of the favela.
His movie, Women are heroes, is currently being presented at the Cannes festival.

Links:

http://jr-art.net

http://jr.blogs.liberation.fr/photographies